Week One: Gesture/Rhythm

Week Two: Construction with Spheres

Week Three: Construction using Boxes

Week Four: Anatomy pt 1

Week Five: Anatomy pt 2

Week Six: Indirect Light

Week Seven: Direct Light

Week Eight: Atmospheric Perspective

Glenn Vilppu is an internationally renowned draftsman, painter, and instructor whose books and DVDs are used by universities, art schools, and independent students around the world. Glenn is also a founding member at New Masters Academy. Glenn has had at least 20 one-man shows and is represented in collections throughout the U. S., Canada and Europe. Glenn’s approach to teaching drawing has become the standard for professional artists, often imitated by numerous teachers and applied by the tens of thousands. Glenn has a BFA and MFA from the Art Center College of Design in Pasadena where he was an instructor for thirteen years. Glenn also served as Director of the Character Animation Dept. of the California Institute of Art. In addition, Glenn ran his own school for five years where he taught all subjects relating to art. Currently, Glenn teaches on-site at New Masters Academy, the University of California Los Angeles, Film and Video School’s Animation Workshop, and the American Animation Institute where he also teaches his private Saturday classes. Glenn has been giving annual lectures at the Ringling College of Art and Design for more than seven years as well as sketching tours of Europe for the past 16 years. Two to four months of the year are devoted by Vilppu to seminars throughout the world, from Greece, Sweden, and Italy to India and Japan. Vilppu has also been the artist in residence at the Savannah College of Art and Design in the United States and La Coste, France. At the age of 40, Vilppu brought a unique and innovative approach to traditional figure drawing and composition into the Animation industry for over 20 years on both feature and shorts for all of the major studios. He also taught at all of the major studios, as well many game and special effects studios.

Drawing board
18 x 24 white bond paper such as Canson “Biggie Sketch Pads” No newsprint
A few sheets of neutral color blue-gray Canson Paper
Faber-Castell Polychromos Pencils: Sanguine & Black White pencil: Stabilo CarbOthello Pastel Pencil, Cretacolor Fine Art Pastel or white charcoal pencil
Chamois Kneaded eraser
Sand Pad and X-Acto Knife for sharpening (no pencil sharpeners)

Sales are non-refundable, but in some cases we can switch a student’s enrollment in a class that has not yet started to another class of equal or lesser value. Art Mentors reserves the right to cancel, limit enrollment, substitute instructors or models, reschedule or modify a class with notice to enrolled students. If a class is canceled, enrolled students will be given a refund. If an instructor is unable to finish a class term, a refund will be given to students at a pro-rated amount.